GUITARIST / SONGWRITER / ENGINEER / PRODUCER, w/ASCAP royalties in addition to numerous credits. All music including photographs are registered © (p) copyright as appropriate, including samples on this site and not to be downloaded or used by other than Bandmix without permission. © 2000 COMP–3 LLC, All Rights Reserved. Barefoot Recording Studios (TM). Jungle Music Productions (R). Meritt, Flebott, Wilson, Webb & Caruso, PLLC.
Seriously interested in: Co-writing, joining a Band, or forming a Band. Frequently travel to California, Nashville, England in addition to Boca Raton Florida [primary residence.] The Learjet pictures represent second passion as an FAA licensed corporate Jet Pilot.
NOTE: Catalogs of music available for new or established acts. Can send any format you require via E-mail, G-mail or by disc S-mail.
Lets Rock,
Jon
Muavcp03@aol com
Myspace com/jonathancompossa
YouTube com/Phoenix10
865.771.0801
*** Don't forget to add the "period" "." for all the Dot com's !!!
ARTISTS HAVE WORKED WITH / WANT TO WORK WITH / INFLUENCES:
CURRENT POP/ROCK:
Pink, Paramour, Aly & Aj, Boys Like Girls, Fergie.
CURRENT ALTERNATIVE/MODERN ROCK:
Evanescence, Nickleback, Collective soul, Creed.
CURRENT POP COUNTRY:
Lee Ann Womack, Jo Dee Messina, Garth Brooks, Shannia Twain, Brad Paisley.
ALL TIME FAVORITES ADULT CONTEMPORARY / CLASSIC ROCK:
Paul Simmon, Paul McCartney, Elton John, Billy Joel, Styx, Van Hallen, Whitesnake, Journey, Queen, Bon Jovi; * About everything on the radio from 1965 – 1985.
FILM SCORE:
Elmer Bernstein, Hans Zimmer, Howard Jones, Alexander Courage.
CLASSICAL / JAZZ:
Mozart, Braums, Beethoven; Al Demiola, John McCglaflin.
PRODUCERS / ENGINEERS:
Roger Nichols, Phil Rammone, Tony Frank.
* Special Thanks: Tony Frank [Anthony Franqurieo] keyboardist for “The Boys From NY City” in addition to Lead engineer in developing the first Marshall’s w/ Jim Marshall, The Carpenter from England, distributed thru Univox/Unicord/Korg USA. Both Friend and mentor. Unfortunately, Tony, passed away some time ago and is dearly missed by all. There is a scholarship program in his memory.
GUITARS [Custom]:
Fender Stratocastor Blond/blk w/maple neck, Duncan Custom, Floyd Rose II,
Fender Telecastor Blond/blk w/maple neck, Duncan single position Dual Humbucker, Floyd Rose II,
Taylor 812CE Blond/blk w/rosewood neck, vintage stock.
GUITAR AMPS [Custom]:
Marshall’s Rack/Stack, Mesa Boogie’s, Fender’s; Total Synth Access.
EFFECTS PROCESSORS:
Yamaha SPX Series, Lexicon PCM series, Yamaha Pitch Transposer, Eventide Ultra Harmonizor’s.
MISC. GUITAR:
D'addario Strings, Dunlop Picks, Roland Guitar MIDI Controllers [Synths,] Shure Wireless systems,
Guitar Amp Drivers: Celestion, JBL E110/E120, all others vintage stock unless pre-amps, Groove Tubes,
Groove Tubes_Substi-Tubes, Groove Tubes BluePrinting [Thanx Carl.]
KEYBOARDS / SYNTH MODULES:
Roland Series, Proteus series, Yamaha series.
DRUMS:
Allises D4, Proteus Procussion.
INTERNET COMPUTER BASED ON-LINE RECORDING:
Steinburg Cubase, Calkwalk/Sonar, Digidesign Pro Tools, EMU, Delta, Yamaha, R.N. Plug-ins, Otarie [Digital/Analog.]
MIXERS / OUTBOARD GEAR / STUDIO / SOUND REINFORCEMENT:
Automated Boards: Mackie, Yamaha; Furman [line Cond.], DBX [Comp/Lim], Allises [Comp/Lim w/noise gate],Yamaha [Graph/Para – EQ], TC [Finalizer’s], BBE Sonic Maximizers, Numerous Tube Pre-Processors, Yamaha [P.Amps class A class B], Crown [P.Amps class A/B], Krell [P.Amps class A], JBL [HLP Monitors], EAW [HLP Monitors], Infinity [Midfiled Monitors], Yamaha [Nearfield Monitors], Mic’s: Shure, AKG, Newman; Standard Bantam Patch Bays. Work with SSL, Neive.
RECORDING MEDIA:
Hard Drives, Disc, Tape: Seagate, Quantegy/Ampex, Imation/3M, Maxell.
* If you don’t see what you want, can get it. Setup is very moudular; therfore, can easaly mix and match the aformentiond gear for any occasion be it: Home Studio Recording, Remote Studio Recordinng, World Wide Studio Recording Via the Internet, local Gigs, Short Tours or Long Tours.
THE DANCE
Looking back on the memory of
The dance we shared ‘neath the stars above
For a moment all the world was right
How could I have known you’d ever say goodbye
And now I’m glad I didn’t know
The way it all would end, the way it all would go
Our lives are better left to chance, I could have missed the pain
But I’d of had to miss the dance
Holding you, I held everything
For a moment, wasn’t I a king
But if I’d only known how the king would fall
Hey who’s to say, you know I might have changed it all
And now I’m glad I didn’t know
The way it all would end, the way it all would go
Our lives are better left to chance, I could have missed the pain
But I’d of had to miss the dance
Yes my life it’s better left to chance, I could have missed the pain
But I’d of had to miss the dance
Jonathan – © TA/GB
* In memory of my deceased wife of twenty-three blissful years. Deborah, I miss you terribly!
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